BURIED TOGETHER

Partner Alice B. Toklas, buried together

Queer Places:
850 Beech Ave, Pittsburgh, PA 15233, Stati Uniti
David Bachrach House, 2406-2408 Linden Ave, Baltimore, MD 21217, USA
Harvard University, Cambridge, MA 02138, Stati Uniti
215 E Biddle St, Baltimore, MD 21202
Johns Hopkins University, Baltimore, MD 21218, Stati Uniti
20 Bloomsbury Square, Bloomsbury, London WC1A 2NS, Regno Unito
27 Rue de Fleurus, 75006 Paris, Francia
5 Rue Christine, 75006 Paris, Francia
Manor House, Bilignin, 01300 Belley, Francia
The Algonquin Hotel Times Square, 59 W 44th St, New York, NY 10036, Stati Uniti
Père Lachaise Cemetery, 16 Rue du Repos, 75020 Paris, Francia

Gertrude Stein[1] (February 3, 1874 – July 27, 1946) was an American novelist, poet, playwright, and art collector. Born in the Allegheny West neighborhood of Pittsburgh, Pennsylvania, and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, and Henri Matisse, would meet.[2]

In 1933, Stein published a quasi-memoir of her Paris years, ''The Autobiography of Alice B. Toklas'', written in the voice of her life partner Alice B. Toklas, an American-born member of the Parisian avant-garde. The book became a literary bestseller and vaulted Stein from the relative obscurity of the cult-literature scene into the limelight of mainstream attention.[3] Two quotes from her works have become widely known: "Rose is a rose is a rose is a rose"[4] and "there is no there there", with the latter often taken to be a reference to her childhood home of Oakland, California.

Her books include ''Q.E.D. (Quod Erat Demonstrandum)'' (1903), about a lesbian romantic affair involving several of Stein's female friends, ''Fernhurst'', a fictional story about a romantic affair, ''Three Lives'' (1905–06), and ''The Making of Americans'' (1902–1911). In ''Tender Buttons'' (1914), Stein commented on lesbian sexuality.

Stein, the youngest of a family of five children, was born on February 3, 1874, in Allegheny, Pennsylvania (which merged with Pittsburgh in 1907), to upper-middle-class Jewish parents, Daniel and Amelia Stein.[6] [7] Her father was a wealthy businessman with real estate holdings. German and English were spoken in their home.[8]

When Stein was three years old, she and her family moved to Vienna, and then Paris. Accompanied by governesses and tutors, the Steins endeavored to imbue their children with the cultured sensibilities of European history and life.[9] After a year-long sojourn abroad, they returned to America in 1878, settling in Oakland, California, where her father became director of San Francisco's street car lines, the Market Street Railway, in an era when public transportation was a privately owned enterprise.[10] Stein attended First Hebrew Congregation of Oakland's Sabbath school.[11] During their residence in Oakland, they lived for four years on a ten-acre lot, and Stein built many memories of California there. She would often go on excursions with her brother, Leo, with whom she developed a close relationship. Stein found formal schooling in Oakland unstimulating, but she read often: Shakespeare, Wordsworth, Scott, Burns, Smollett, Fielding, and more.


David Bachrach House, 2406-2408 Linden Ave, Baltimore, MD 21217

When Stein was 14 years old, her mother died. Three years later, her father died as well. Stein's eldest brother, Michael Stein, then took over the family business holdings and in 1892 arranged for Gertrude and another sister, Bertha, to live with their mother's family in Baltimore.[12] Here she lived with her uncle David Bachrach,[13] who in 1877 had married Gertrude's maternal aunt, Fanny Keyser.

In Baltimore, Stein met Claribel Cone and Etta Cone, who held Saturday evening salons that she would later emulate in Paris. The Cones shared an appreciation for art and conversation about it and modeled a domestic division of labor that Stein would replicate in her relationship with Alice B. Toklas.[14]

Pablo Picasso | Gertrude Stein | The Met
Gertrude Stein, by Pablo Picasso

Stein attended Radcliffe College, then an annex of Harvard University, from 1893 to 1897 and was a student of psychologist William James. With James's supervision, Stein and another student, Leon Mendez Solomons, performed experiments on ''normal motor automatism'', a phenomenon hypothesized to occur in people when their attention is divided between two simultaneous intelligent activities such as writing and speaking.

These experiments yielded examples of writing that appeared to represent "stream of consciousness", a psychological theory often attributed to James and the style of modernist authors Virginia Woolf and James Joyce. In 1934, behavioral psychologist B.F. Skinner interpreted Stein's difficult poem ''Tender Buttons'' as an example of ''normal motor automatism''.[15] In a letter Stein wrote during the 1930s, she explained that she never accepted the theory of automatic writing: "[T]here can be automatic movements, but not automatic writing. Writing for the normal person is too complicated an activity to be indulged in automatically."[16] She did publish an article in a psychological journal on "spontaneous automatic writing" while at Radcliffe, but "the unconscious and the intuition (even when James himself wrote about them) never concerned her."

At Radcliffe, she began a lifelong friendship with Mabel Foote Weeks, whose correspondence traces much of the progression of Stein's life. In 1897, Stein spent the summer in Woods Hole, Massachusetts, studying embryology at the Marine Biological Laboratory.[17] She received her A.B. (Bachelor of Arts) magna cum laude from Radcliffe in 1898.


215 E Biddle St, Baltimore, MD 21202

While a student at Johns Hopkins and purportedly still naïve about sexual matters, Stein experienced an awakening of her latent sexuality. Sometime in 1899 or 1900, she became infatuated with Mary Bookstaver who was involved in a relationship with a medical student, Mabel Haynes. Witnessing the relationship between the two women served for Stein as her "erotic awakening". The unhappy love triangle demoralized Stein, arguably contributing to her decision to abandon her medical studies. Gertrude completed ''Q.E.D. (Quod Erat Demonstrandum)'' on October 24, 1903.[52] One of the earliest coming out stories,[53] it is about a romantic affair involving Stein and her friends Mabel Haynes, Grace Lounsbury and Mary Bookstaver, and occurred between 1897 and 1901 while she was studying at Johns Hopkins in Baltimore.[54] This story is discussed more completely later in this article in the section on her lesbian relationships.

In 1902 Stein's brother Leo Stein left for London, and Stein followed. In London she became friends with Muriel Draper. The following year the two relocated to Paris, where Leo hoped to pursue an art career.

Leo Stein cultivated important art world connections, enabling the Stein holdings to grow over time. The art historian and collector Bernard Berenson hosted Gertrude and Leo in his English country house in 1902, facilitating their introduction to Paul Cézanne and the dealer Ambroise Vollard.[22] Vollard was heavily involved in the Cézanne art market, and he was the first important contact in the Paris art world for both Leo and Gertrude.

From 1903 until 1914, when they dissolved their common household, Gertrude and her brother Leo shared living quarters near the Luxembourg Garden on the Left Bank of Paris in a two-story apartment (with adjacent studio) located on the interior courtyard at 27 rue de Fleurus, 6th arrondissement. Here they accumulated the works of art that formed a collection that became renowned for its prescience and historical importance.

In 1904 Stein began ''Fernhurst'', a fictional account of a scandalous three-person romantic affair involving a dean (M. Carey Thomas), a faculty member from Bryn Mawr College (Mary Gwinn) and a Harvard graduate (Alfred Hodder).[55] Mellow asserts that ''Fernhurst'' "is a decidedly minor and awkward piece of writing".[56]

In 1904 Sarah Choate Sears stopped working to care for her ailing husband, and after his death a year later she devoted herself to managing the family’s finances for a brief period. She then traveled throughout Europe with Mary Cassatt and Gertrude Stein, collecting more art and living a highly glamorous lifestyle among artists, musicians and writers.

By early 1906, Leo and Gertrude Stein's studio had many paintings by Henri Manguin, Pierre Bonnard, Pablo Picasso, Paul Cézanne, Pierre-Auguste Renoir, Honoré Daumier, Henri Matisse, and Henri de Toulouse-Lautrec.[32] Their collection was representative of two famous art exhibitions that took place during their residence together in Paris, and to which they contributed, either by lending their art, or by patronizing the featured artists.[33] The Steins' elder brother, Michael, and sister-in-law Sarah (Sally) acquired a large number of Henri Matisse paintings; Gertrude's friends from Baltimore, Claribel Cone and Etta Cone, collected similarly, eventually donating their art collection, virtually intact, to the Baltimore Museum of Art.[34] Sarah Stein was an American art collector. With her husband Michael Stein, the older brother of Leo Stein and Gertrude Stein, she lived in Paris from 1903 to 1935. She supported and popularized the painter Henri Matisse.

After her 1907 graduation, Agnes E. Meyer became one of the first women reporters hired by the New York Sun. A year later, she resumed her literary studies at the Sorbonne where she became friends with Gertrude Stein.

Stein met her life partner Alice B. Toklas[74] on September 8, 1907, on Toklas's first day in Paris, at Sarah and Michael Stein's apartment.[75] Toklas arrived with Harriet Levy, with Toklas maintaining living arrangements with Levy until she moved to 27 Rue de Fleurus in 1910. In an essay written at the time, Stein humorously discussed the complex efforts, involving much letter writing and Victorian niceties, to extricate Levy from Toklas's living arrangements.[78]

In 1908, they summered in Fiesole, Italy, Toklas staying with Harriet Lane Levy, the companion of her trip from the United States, and her housemate until Alice moved in with Stein and Leo in 1910. That summer, Stein stayed with Michael and Sarah Stein, their son Allan, and Leo in a nearby villa. Gertrude and Alice's summer of 1908 is memorialized in images of the two of them in Venice, at the piazza in front of Saint Mark's.

While living in Paris, Stein began submitting her writing for publication. Her earliest writings were mainly retellings of her college experiences. Her first critically acclaimed publication was ''Three Lives''. In 1911, Mildred Aldrich introduced Stein to Mabel Dodge Luhan and they began a short-lived but fruitful friendship during which the wealthy Mabel Dodge promoted Gertrude's legend in the United States. Mabel was enthusiastic about Stein's sprawling publication ''The Makings of Americans'' and, at a time when Stein had much difficulty selling her writing to publishers, privately published 300 copies of ''Portrait of Mabel Dodge at Villa Curonia''. Dodge was also involved in the publicity and planning of the 69th Regiment Armory Show in 1913, "the first avant-garde art exhibition in America".

Stein and Carl Van Vechten, the noted critic and photographer, became acquainted in Paris in 1913. The two became lifelong friends, devising pet names for each other: Van Vechten was "Papa Woojums", and Stein, "Baby Woojums". Van Vechten served as an enthusiastic champion of Stein's literary work in the United States, in effect becoming her American agent.

After Stein's and Leo's households separated in 1914, she continued to collect examples of Picasso's art, which had turned to Cubism, a style Leo did not appreciate. At her death, Gertrude's remaining collection emphasized the artwork of Picasso and Juan Gris, most of her other pictures having been sold.[39]

The gatherings in the Stein home "brought together confluences of talent and thinking that would help define modernism in literature and art". Dedicated attendees included Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, Gavin Williamson, Thornton Wilder, Sherwood Anderson, Francis Cyril Rose, Bob Brown, René Crevel, Élisabeth de Gramont, Francis Picabia, Claribel Cone, Mildred Aldrich, Jane Peterson, Carl Van Vechten and Henri Matisse. Saturday evenings had been set as the fixed day and time for formal congregation so Stein could work at her writing uninterrupted by impromptu visitors. It was Stein's partner Alice who became the de facto hostess for the wives and girlfriends of the artists in attendance, who met in a separate room. Janet Flanner was a close friend.

During the summer of 1931, Stein advised the young composer and writer Paul Bowles to go to Tangier, where she and Alice had vacationed.

Several of Stein's writings have been set to music by composers, including Virgil Thomson's operas ''Four Saints in Three Acts'' and ''The Mother of Us All'', and James Tenney's setting of ''Rose is a rose is a rose is a rose'' as a canon dedicated to Philip Corner, beginning with "a" on an upbeat and continuing so that each repetition shuffles the words, e.g. "a/rose is a rose/is a rose is/a rose is a/rose."

During the 1930s, Stein and Toklas became famous with the 1933 mass market publication of ''The Autobiography of Alice B. Toklas.'' She and Alice had an extended lecture tour in the United States during this decade. They also spent several summers in the town of Bilignin, in the Ain district of eastern France situated in the picturesque region of the Rhône-Alpes. The two women doted on their beloved poodle named "Basket" whose successor, "Basket II", comforted Alice in the years after Gertrude's death.

In the fall of 1934 Elizabeth McCausland and Gertrude Stein met at Hotel Kimbell, Springfield, Mass

In Washington, D.C. Stein was invited to have tea with the President's wife, Eleanor Roosevelt. In Beverly Hills, California, she visited actor and filmmaker Charlie Chaplin who reportedly discussed the future of cinema with her. Stein left America in May 1935, a newly minted American celebrity with a commitment from Random House, who had agreed to become the American publisher for all of her future works.[51] The ''Chicago Daily Tribune'' wrote after Stein's return to Paris: "No writer in years has been so widely discussed, so much caricatured, so passionately championed."

With the outbreak of World War II, Stein and Toklas relocated to a country home that they had rented for many years previously in Bilignin, Ain, in the Rhône-Alpes region. Gertrude and Alice, who were both Jewish, escaped persecution probably because of their friendship to Bernard Fa who was a collaborator with the Vichy regime and had connections to the Gestapo, or possibly because Gertrude was an American and a famous author. Gertrude's book "Wars I Have Seen" written before the German surrender and before the liberation of German concentration camps, likened the German army to Keystone cops. After the war, Stein was visited by many young American soldiers. The August 6, 1945 issue of ''Life'' magazine featured a photo of Stein and American soldiers posing in front of Hitler's bunker in Berchtesgaden. They are all giving the Nazi salute and Stein is wearing the traditional Alpine cap, accompanied by the text: "Off We All Went To See Germany."[85]

In the 1980s, a cabinet in the Yale University Beinecke Library, which had been locked for an indeterminate number of years, was opened and found to contain some 300 love letters written by Stein and Toklas. They were made public for the first time, revealing intimate details of their relationship. Stein's endearment for Toklas was "Baby Precious", in turn Stein was for Toklas, "Mr. Cuddle-Wuddle".[86]

The more affirming essay "Miss Furr and Miss Skeene" is one of the first homosexual revelation stories to be published. The work, like ''Q.E.D.'', is informed by Stein's growing involvement with a homosexual community, though it is based on lesbian partners Maud Hunt Squire and Ethel Mars.[89] The work contains the word "gay" over 100 times, perhaps the first published use of the word "gay" in reference to same-sex relationships and those who have them, and, thus, uninformed readers missed the lesbian content. A similar essay of homosexual men begins more obviously with the line "Sometimes men are kissing" but is less well known.

Author Djuna Barnes provided a caustic assessment of Stein's book, "Wars I Have Seen": "You do not feel that she [Stein] is ever really worried about the sorrows of the people. Her concerns at its highest pitch is a well-fed apprehension."

Stein died on July 27, 1946 at the age of 72 after surgery for stomach cancer at the American Hospital[112] in Neuilly-sur-Seine. She was interred in Paris in Père Lachaise Cemetery.[113] Later Alice B. Toklas was buried alongside her.[114] According to the famous version of her last moments, before having been taken into surgery, Stein asked her partner Toklas: "What is the answer?" After Toklas replied to Stein that there was no answer, Stein countered by sinking back into her bed, murmuring: "Then, there is no question!"[115]

Her companion Toklas, however, has given two other versions of the encounter—neither of which agrees with the "canonical" version above. Writing in the June 2005 edition of ''The New Yorker'', Janet Malcolm describes:

On July 27, 1946, Stein was operated on for what proved to be inoperable stomach cancer and died before coming out of anesthesia. In "What Is Remembered," Toklas wrote of the "troubled, confused and very uncertain" afternoon of the surgery. "I sat next to her and she said to me early in the afternoon, What is the answer? I was silent. In that case, she said, what is the question?" However, in a letter to Van Vechten ten years earlier, Toklas had written: About Baby's last words. She said upon waking from a sleep--What is the question. And I didn't answer thinking she was not completely awakened. Then she said again--What is the question and before I could speak she went on--If there is no question then there is no answer.

Stein's biographers have naturally selected the superior "in that case what is the question?" version. Strong narratives win out over weak ones when no obstacle of factuality stands in their way. What Stein actually said remains unknown. That Toklas cited the lesser version in a letter of 1953 is suggestive but not conclusive.[116] Stein named writer and photographer Carl Van Vechten as her literary executor, and he helped to publish works of hers that remained unpublished at the time of her death. There is a monument to Stein on the Upper Terrace of Bryant Park, New York.


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