Partner Norman Fowler

Queer Places:
Eton College, Windsor SL4 6DW, Regno Unito
Lockers Park School, Lockers Park Ln, Hemel Hempstead HP1 1TL, Regno Unito
University of Oxford, Oxford OX1 2JD, Regno Unito
Sulhamstead House, Reading, Sulhamstead RG7 4DX, Regno Unito

Victor William (Peter) Watson (14 September 1908 – 3 May 1956) was a wealthy English art collector and benefactor. He funded the literary magazine, Horizon, edited by Cyril Connolly.

Watson was the son of William George Watson, later Sir George Watson, and was the youngest of three children—his brother Norman was born in 1897 and sister Florence in 1894. He was educated at Lockers Park School,[1] Eton College and St John's College, Oxford.[2]

Watson was an avid art collector acquiring works by such artists as Miró, Klee, and Pablo Picasso, which were displayed in his Paris apartment in the 1930s. He was the principal benefactor of the Institute of Contemporary Arts in London and also provided financial assistance to English and Irish painters including Francis Bacon, Lucian Freud and John Craxton.[3] In 1930, society photographer, artist and set designer Sir Cecil Beaton began a lifelong obsession with Watson, though the two never became lovers (Watson at the time was having a flirt with common friend Oliver Messel). Truman Capote once wrote to Beaton's biographer Hugo Vickers exposing the symbolism of Beaton's decorating choices: "In Cecil's house there was a book on the desk, a XIX century novel and a book mark in the place where one of the characters says: "I love you, Mr Watson." One chapter from Vickers' authorized biography of Beaton is titled "I Love You, Mr. Watson".

In 1940 Watson provided funding for Cyril Connolly's Horizon and became its arts editor. Stephen Spender was also involved with the magazine initially. Watson was art editor for the magazine between 1940 and 1949. He rarely contributed articles, but gave many opportunities for his friends to have their pictures reproduced in the magazine, and also encouraged Horizon to look beyond British Art, particularly to Paris. Watson commissioned articles on artists barely known at the time in England, such as Balthus, Morandi and Klee. He persuaded Picasso's dealer, Daniel Kahnweiler, to comment on the contemporary art market; and he also got Michel Leiris to write about Giacometti.[4] Spender recalled to Connolly's biographer, Clive Fisher, that Watson hated "priggishness, pomposity and almost everything to do with public life," and he suspected that he had educated himself "through a love of beautiful works and of people in whom he saw beauty ...". He added "When I think of him then, I think of his clothes, which were beautiful, his general neatness and cleanness, which seemed almost those of a handsome young Bostonian."[5]

Peter Watson never ‘shook’ 20th century art, just bought some of it, and he never ‘shocked’ high society, just skittered around the fringes of it (pictured right with stage designer Oliver Messel, his long-term lover)
Oliver Messel and Peter Watson

Fisher writes that Peter Watson "was a figure of striking attractiveness; women in particular seem to have found his manners irresistible... almost everyone appears to have liked him." One of Watson's lovers was the American male prostitute and socialite Denham Fouts, whom he continued to support even after they separated as a result of Fouts's drug addiction.

Watson was found drowned in his bath on 3 May 1956.[6] Some have suggested that he was murdered by his young American lover, Norman Fowler (1927 - March 23, 1971)[7][8] (from whom Bacon stole £300 to go gambling). Fowler inherited the bulk of Watson's estate and died 14 years later in the West Indies; he was also found drowned in his bathtub.[7]

Watson's sister, Florence Nagle, fought a prolonged battle against Britain's Jockey Club, the controlling body for horse racing. His brother Norman provided funding for the early development of Lake Louise, a ski resort in Alberta, Canada.

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