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Henri-Robert-Marcel Duchamp (28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He was careful about his use of the term Dada and was not directly associated with Dada groups. When Frank Lloyd Wright tried to tar Modernism with the brush of homosexuality, asking his audience – at the Western Round Table on Modern Art, in 1949 – ‘if this movement which we call modern art and painting has been greatly, or is greatly in debt to homosexualism’, Marcel Duchamp responded: ‘I believe that the homosexual public has shown more interest or curiosity for modern art than the heterosexual’.
One of the most unusual aspects of the Stettheimers’ salon was the large number of their gay, bisexual, and lesbian friends and acquaintances, who were comfortable being their authentic selves among their straight friends. Several of the sisters’ closest friends, including Charles Demuth, Marsden Hartley, Henry McBride, Virgil Thomson, and Baron Adolph de Meyer (married to a lesbian, Olga Carracciolo) were homosexual; Carl Van Vechten, Cecil Beaton, and Georgia O’Keeffe were bisexual; Natalie Barney and Romaine Brooks were lesbians; and Alfred Stieglitz, Marcel Duchamp, Gaston Lachaise, Marie Sterner, and Leo Stein were heterosexual. This open, natural mix of friends with different sexual preferences continued when Stettheimer held salons in her studio in the Beaux Arts building in midtown Manhattan, although later in life she also had parties where most of the guests were strong feminist women.
Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By World War I, he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind.
Marcel Duchamp and Rosa Selavy by Florine Stettheimer
Marcel Duchamp, Francis Picabia, and Beatrice Wood at the Broadway Photo Shop, New York City, 1917
Lit de Marcel [Marcel's Bed] (1917): watercolor (Beatrice Wood, Marcel Duchamp, Charles Demuth, Aileen Dresser, and Mina Loy)
Throughout his adult life, Duchamp was a passionate smoker of Habana cigars. Duchamp became a United States citizen in 1955. In June 1927, Duchamp married Lydie Sarazin-Lavassor; however, they divorced six months later. It was rumored that Duchamp had chosen a marriage of convenience, because Sarazin-Lavassor was the daughter of a wealthy automobile manufacturer. Early in January 1928, Duchamp said that he could no longer bear the responsibility and confinement of marriage, and they were soon divorced. Between 1946 and 1951 Maria Martins was his mistress. In 1954, he and Alexina "Teeny" Sattler married. They remained together until his death.
Duchamp died suddenly and peacefully in the early morning of 2 October 1968 at his home in Neuilly-sur-Seine, France. After an evening dining at home with his friends Man Ray and Robert Lebel, Duchamp retired at 1:05 am, collapsed in his studio, and died of heart failure. Duchamp was an atheist. He is buried in the Rouen Cemetery, in Rouen, France, with the epitaph, "D'ailleurs, c'est toujours les autres qui meurent" ("Besides, it's always the others who die").
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