Partner Salka Viertel, Mercedes De Acosta
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1027 Chevy Chase Dr, Beverly Hills, CA 90210, USA
810 N Camden Dr, Beverly Hills, CA 90210, USA
1717 San Vicente Blvd, Santa Monica, CA 90402, USA
407 N Rockingham Ave, Los Angeles, CA 90049, USA
165 Mabery Rd, Santa Monica, CA 90402, USA
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558 N Bristol Ave, Los Angeles, CA 90049, USA
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The Hampshire House, 150 Central Park South, 10019, NYC, NY, USA
Hotel Adlon, Unter den Linden 77, 10117 Berlin, Germania
Hotel Esplanade, Bellevuestraße 1, 10785 Berlin, Germania
Dramatens elevskola, Nybroplan, 111 47 Stockholm, Svezia
Skogskyrkogården, Sockenvägen, 122 33 Stockholm, Svezia
Blekingegatan 32, 118 56 Stockholm, Svezia
Karlsbergsvägen 52, 179 98 Färentuna, Svezia
Harby, 194 92 Upplands Väsby, Svezia
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Greta Garbo, born Greta Lovisa Gustafsson (18 September 1905 – 15 April 1990), was a Swedish-born American film actress during the 1920s and 1930s. In her 1960 autobiography, Here Lies the Heart, Mercedes De Acosta claimed to have been intimate with Isadora Duncan, Marlene Dietrich, Alice B. Toklas, Marie Laurencin, Eva Le Gallienne, Malvina Hoffman and Greta Garbo. Garbo has been romantically linked also to Marlene Dietrich, Salka Viertel, Louise Brooks (described Garbo as a "charming and tender" lover), Billie Holiday, Lilyan Tashman, Tallulah Bankhead, Natacha Rambova, Dolores Del Rio. By 1932, Hollywood had decided that her dazzling stage presence would never compensate for her indiscretions. But before she was forced out of town, she angrily told Louis B. Mayer that she had slept with six of his top stars, including Barbara Stanwyck and Joan Crawford.
Garbo was nominated three times for the Academy Award for Best Actress and received an Academy Honorary Award in 1954 for her "luminous and unforgettable screen performances." In 1999, the American Film Institute ranked Garbo fifth on their list of the greatest female stars of classic Hollywood cinema, after Katharine Hepburn, Bette Davis, Audrey Hepburn and Ingrid Bergman.
Garbo launched her career with a secondary role in the 1924 Swedish film The Saga of Gosta Berling. In 1925 she is in The Joyless Street filmed in Berlin. In her old age, Marlene Dietrich, before always denying it, confirmed that also she was in The Joyless Street with Garbo. She admitted it to her British late-life friend and biographer David Bret, an expert on the Berlin nightlife of her era. She is "Maria's friend", an unbilled black-haired young woman to whom others later gave other names.
Garbo's performance in The Saga of Gosta Berling caught the attention of Louis B. Mayer, chief executive of Metro-Goldwyn-Mayer (MGM), who brought her to Hollywood in 1925. She immediately stirred interest with her first silent film, Torrent, released in 1926; a year later, her performance in Flesh and the Devil, her third movie, made her an international star.
Greta Garbo and Salka Viertel
165 Mabery Rd, Santa Monica, CA
The Ritz Tower
Garbo's first talking film was Anna Christie (1930). MGM marketers enticed the public with the catch-phrase "Garbo talks!" That same year she starred in Romance. For her performances in these films she received the first of three Academy Award nominations for Best Actress. (Academy rules at the time allowed for a performer to receive a single nomination for their work in more than one film). In 1932, her popularity allowed her to dictate the terms of her contract and she became increasingly selective about her roles. Her success continued in films such as Mata Hari (1931) and Grand Hotel (1932). Many critics and film historians consider her performance as the doomed courtesan Marguerite Gautier in Camille (1936) to be her finest. The role gained her a second Academy Award nomination. Garbo's career soon declined, however, and she was one of the many stars labeled "Box Office Poison" in 1938. Her career revived upon her turn to comedy in Ninotchka (1939), which earned her a third Academy Award nomination, but after the failure of Two-Faced Woman (1941), she retired from the screen, at the age of 35, after acting in twenty-eight films.
From then on, Garbo declined all opportunities to return to the screen. Shunning publicity, she began a private life. Garbo also became an art collector in her later life; her collection, including works from painters such as Pierre-Auguste Renoir, Pierre Bonnard, and Kees van Dongen, was worth millions of dollars when she died.
Garbo never married, had no children, and lived alone as an adult. Her most famous romance was with her frequent co-star, John Gilbert, with whom she lived intermittently in 1926 and 1927. Soon after their romance began, Gilbert began helping her acting on the set, teaching her how to behave like a star, how to socialize at parties, and how to deal with studio bosses. They costarred again in three more hits, Love (1927), A Woman of Affairs (1928), and Queen Christina (1933). Gilbert allegedly proposed to her numerous times, with Garbo agreeing but backing out at the last minute. "I was in love with him," she said. "But I froze. I was afraid he would tell me what to do and boss me. I always wanted to be the boss."
In 1937, she met conductor Leopold Stokowski, with whom she had a highly publicized friendship or romance while traveling throughout Europe the following year. In his diary, Erich Maria Remarque discusses a liaison with Garbo in 1941, and in his memoir, Cecil Beaton described an affair with her in 1947 and 1948. In 1941 she met the Russian-born millionaire, George Schlee, who was introduced to her by his wife, fashion designer Valentina. Nicholas Turner, Garbo's close friend for 33 years, said that, after she bought an apartment in the same building, "Garbo moved in and took Schlee right away from Valentina." Schlee would split his time between the two, becoming Garbo's close companion and advisor until his death in 1964.
Recent biographers and others believe that Garbo was bisexual or lesbian, that she had intimate relationships with women as well as with men. In 1927, Garbo was introduced to stage and screen actress Lilyan Tashman and they may have had an affair, according to some writers. Silent film star Louise Brooks stated that she and Garbo had a brief liaison the following year.
In 1931, Garbo befriended the writer and acknowledged lesbian Mercedes de Acosta, introduced to her by her close friend, Salka Viertel, and, according to Garbo's and de Acosta's biographers, began a sporadic and volatile romance. The two remained friends—with ups and downs—for almost 30 years, during which time Garbo wrote de Acosta 181 letters, cards, and telegrams, now at the Rosenbach Museum & Library in Philadelphia. Garbo's family, which controls her estate, has made only 87 of these items publicly available.
In 2005, Mimi Pollak's estate released 60 letters Garbo had written her in their long correspondence. Several letters suggest she may have had romantic feelings for Pollak for many years. After learning of Pollak's pregnancy in 1930, for example, Garbo wrote "We cannot help our nature, as God has created it. But I have always thought you and I belonged together". In 1975, she wrote a poem about not being able to touch the hand of her friend with whom she might have been walking through life.
Garbo was successfully treated for breast cancer in 1984. Towards the end of her life, only Garbo's closest friends knew she was receiving dialysis treatments for six hours three times a week at The Rogosin Institute in New York Hospital. A photograph appeared in the media in early 1990, showing Koger assisting Garbo, who was walking with a cane, into the hospital.
Greta Garbo died on 15 April 1990, aged 84, in the hospital, as a result of pneumonia and renal failure. Daum later claimed that towards the end, she also suffered from gastrointestinal and periodontal ailments.
Garbo was cremated in Manhattan, and her ashes were interred in 1999 at Skogskyrkogården Cemetery just south of her native Stockholm.
Garbo had invested wisely, primarily in stocks and bonds, and left her entire estate, $32,042,429—$57,000,000 by 2013 rates—to her niece, Gray Reisfield.
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