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Henry Kendall (28 May 1897 – 9 June 1962) was an English stage and film actor, theatre director and an immaculately stylish revue artiste. In the book "Alfred Hitchcock: A Life in Darkness and Light" by Patrick McGilligan, Alfred Hitchcock is quoted as saying that Henry Kendall was "a fairly obvious homosexual.".
The best-known English actors of the time, John Gielgud, Max Adrian, Gyles Isham, Henry Kendall, Charles Laughton, Ernest Milton, Esme Percy, Eric Portman, Ernest Thesiger and Frank Vosper, were homosexual or bisexual. Many homosexuals were also found in the fashion and art world, in particular, in England, the interior decorator John Fowler, the set designer Oliver Messel, the great dressmaker Norman Hartnell and the photographer Cecil Beaton.
Kendall was born in London in 1897 and educated at the City of London School. He made his first appearance on the stage in September 1914 at the Lyceum Theatre, playing a 'super' in Tommy Atkins. He had a distinguished war career, serving as a Captain in the Royal Air Force from 1916 to 1919, and on demobilisation was awarded the Royal Air Force Cross.
He played the leading role of Reggie Ogden in the film The Shadow in 1933, and also starred in Alfred Hitchcock's 'bravest failure', Rich and Strange, US title East of Shanghai (1931).
Kendall dismisses his own cinematic work, perhaps because several of his films were quota quickies, with the remark that he "commenced film career 1931, and has appeared in innumerable pictures".
As a gifted West End revue artiste he appeared in Charlot's Revue at the Prince of Wales Theatre in 1924 and Charlot's Masquerade at the Cambridge Theatre in 1930. He also enjoyed great success co-starring with Hermione Gingold in the three long-running Sweet and Low revues, with scripts by Alan Melville, first taking over from Walter Crisham in 1944; this was followed in June 1948 by the A la Carte revue at the Savoy Theatre.
But a greater contribution in this field was his appearance with Hermione Baddeley and Hermione Gingold ('The Two Hermiones'), Walter Crisham and Wilfred Hyde-White, in Leslie Julian Jones's revue Rise Above It, first at the Q Theatre in January 1941, when Hedley Briggs was nominally directing; then in two West End editions of the show which ran for a total of 380 performances at the Comedy Theatre opening in June 1941 and again in December 1941, when he was both starring and directing the show.
As he reports in his autobiography: "Of all forms of theatrical entertainment, revue is the most bitchy. The material is bitchy, the artists are bitchy and, strangely enough, the average revue audience is bitchy. And here I was starring with two acknowledged 'Queens of Revue' [Baddeley and Gingold], faced also with the task of director... call[ing] for every possible ounce of tact and diplomacy. Then came the vexed question of 'billing' — who should take precedence, Baddeley or Gingold (or should I say Gingold or Baddeley)? It was the responsibility of the management to make the decision....Jack de Leon's solution was quite simple: we had two sets of bills and placards, used on alternate weeks throughout the run, which satisfied both the ladies." 
In addition to a busy career as an actor and entertainer, he was frequently engaged as a director, notably staging the first productions of See How They Run (Peterborough Rep, tour and Q Theatre 1944; Comedy Theatre 1945), and The Shop at Sly Corner (St Martin's Theatre 1945).
He also directed numerous plays at the Embassy Theatre and Q Theatre.
Kendall died in June 1962 at the age of 65.
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