Partner Martin Hensler, buried together
36 Earls Court Square, Earl's Court, London SW5 9DQ
Westminster School, Little Dean's Yard, Great Smith St, Westminster, London SW1P 3PF, Regno Unito
Royal Academy of Dramatic Art, 62-64 Gower St, Bloomsbury, London WC1E 6ED, Regno Unito
127 Long Acre, Covent Garden WC2E 9AA, UK
Wychwood, Church Road, Barcombe, Lewes, East Sussex BN8 5TP, UK
16 Cowley St, Westminster, London SW1P 3LZ, Regno Unito
7 Upper St Martin's Ln, London WC2H 9DL, Regno Unito
Ffuleslo, Finchingfield, Braintree CM7 4NZ, Regno Unito
Wotton House, Wotton Underwood, Aylesbury HP18 0SB, Regno Unito
Oxford Crematorium, Bayswater Road, Headington, Oxford OX3 9RZ, Regno Unito
Sir Arthur John Gielgud OM CH (14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trio of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.
During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter.
During the first half of his career, Gielgud did not take the cinema seriously. Though he made his first film in 1924, and had successes with The Good Companions (1933) and Julius Caesar (1953), he did not begin a regular film career until his sixties. Gielgud appeared in more than sixty films between Becket (1964), for which he received his first Academy Award nomination for playing Louis VII of France, and Elizabeth (1998). As the acid-tongued Hobson in Arthur (1981) he won the Academy Award for Best Supporting Actor. His film work further earned him a Golden Globe Award and two BAFTAs.
by Carl Van Vechten
John Gielgud by Paul Tanqueray bromide print, 1932 9 1/2 in. x 7 1/2 in. (240 mm x 189 mm) Given by Paul Tanqueray, 1974 Photographs Collection NPG x15485
clare atwood (1866-1962) ‘john gielgud’s room’ 1933
Although largely indifferent to awards, Gielgud had the rare distinction of winning an Oscar, an Emmy, a Grammy, and a Tony. He was famous from the start of his career for his voice and his mastery of Shakespearean verse. He broadcast more than a hundred radio and television dramas between 1929 and 1994, and made commercial recordings of many plays, including ten of Shakespeare's. Among his honours, he was knighted in 1953 and the Gielgud Theatre was named after him. From 1977 to 1989, he was president of the Royal Academy of Dramatic Art.
In 1962 Gielgud met Martin Hensler (1932–99), an interior designer exiled from Hungary. He was temperamental, and Gielgud's friends often found him difficult, but the two became a long-term couple and lived together until Hensler's death. Under his influence Gielgud moved his main residence from central London to Wotton Underwood in Buckinghamshire.
Gielgud's companion of forty years, Martin Hensler, died in 1999. After this, Gielgud went into a physical and psychological decline; he died at home in May the following year, at the age of 96. At his request there was no memorial service, and his funeral at Wotton parish church was private, for family and close friends. His ashes were scattered in the rose garden of his home, where those of Martin Hensler had been sprinkled after his death the previous year.
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