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Alyse Gregory (July 19, 1884 Norwalk, Connecticut, United States – August 27, 1967 Morebath, Devon, England) was an American suffragist and writer. Gregory was in relationships with Florida Scott Maxwell, Randolph Bourne, Marianne Moore, Gamel Woolsey and Edna St. Vincent Millay.
Her father, James G. Gregory, was a doctor in Norwalk. She showed musical talent at an early age, was sent to Paris, France, to receive a musical education when she was fifteen years old, and continued her study of music upon her return to the United States. She was invited by famous concert singer Katherine Tanner Fisk to return to Paris, live with her, and be trained as a professional singer. She remained in Paris with Fisk for a year.
She was drawn gradually into public movements because of her interest in social justice. After returning to her home country, she decided to give up her singing ambitions. She became involved in local politics and the woman suffrage movement for which she was a fearless public speaker. Gregory decided to start a grassroots women's suffrage club in Connecticut, as she explains in her autobiography The Day Is Gone. The first meeting brought together herself and five other women. Gregory went on to become a key leader in the Connecticut Woman Suffrage Association through which she directed activities such as meetings, plays, and parades alongside Cromwell native Emily Miller Pierson. She later worked as assistant state organizer for the New Jersey Woman Suffrage Association during a referendum on woman suffrage in 1915 and was also active for the cause in the State of New York.
After a visit to England during the 1914–18 First World War, she settled in Patchin Place in New York City, where she formed close friendships with a group of young artists and writers. In 1918, she opened a teashop in Greenwich Village, the “bohemian” center of the city. The shop promptly became a gathering place for William Rose and Stephen Vincent Benét, and Scofield Thayer. Through these friends she met Elinor Wylie and Laura Benét, as well as Marianne Moore, who was to become her close friend. Another member of the shop’s literary clientele was British writer Llewelyn Powys, the man Gregory would eventually marry. In 1924, her friend Scofield Thayer, owner and editor of The Dial, invited her to join the journal’s editorial staff. Gregory accepted the position of managing editor and took on a major role in the periodical’s publication. During her tenure, the magazine published work by artists and writers who are counted among the most important of the century, including Marsden Hartley, Georgia O’Keeffe, Pablo Picasso, Jean Toomer, Marianne Moore and Sherwood Anderson. Her frequent book reviews in The Dial were considered thoughtful and well written; “Your letter enclosing the reviews of Mrs. Wharton and of Van Wyck Brooks came today,” Marianne Moore wrote to Gregory in 1925, “and as ever, your gifts—your own velvet footed thieving of phrases—leave me dumb, exanimated with admiration of your metaphors and method.”
She contributed articles to such publications as The Freeman and The New Republic. In 1924 she married the English writer Llewelyn Powys, and in June 1925, resigned her position with The Dial to accompany her husband to England, where for five years they lived in a coastguard cottage on White Nothe, one of the wildest headlands of the Dorset coast.
Her first novel, She Shall Have Music was published in 1926, followed by King Log and Lady Lea (1929) and Hester Craddock (1931), both of which were written in Dorset.
She and her husband visited Palestine in 1928, and they spent the winter of 1930 in a house in the Berkshire Hills lent to them by Edna St. Vincent Millay and Eugen Boissevain. From there, they paid a visit to the West Indies. On their return to England, Llewelyn Powys suffered a relapse from an old illness, and in the winter of 1936, they went to Switzerland, where she wrote a book of essays, Wheels on Gravel (1938).
After Llewelyn Powys' death from tuberculosis in Switzerland in December 1939, Alyse went to live in the same remote house, Chydyok, as his sisters, Gertrude and Philippa Powys, on Chaldon Down near East Chaldon, and wrote her autobiographical reminiscences, entitled The Day Is Gone, published in New York by EE. P. Dutton (1948). She was a friend of many eminent people, including Van Wyck Brooks, Lewis Mumford, Amy Lowell, William Rose Benét and his brother Stephen Vincent Benét, Malcolm Elwin,, Theodore Dreiser, and Sylvia Townsend Warner. She tended to remain in the shadow of her late husband (whose work and reputation she did much to promote), while continuing to contribute her own articles to a variety of journals up until the late 1950s.
In 1957, Alyse Gregory moved into Velthams Cottage, Morebath, Devon, as the tenant of Rosamund Mary Rose (née Rosamund Mary Trafford), at a rent of "one peppercorn a year (if demanded)". After the sudden death of her landlady on 12 May 1958, Velthams was bought at auction in 1960 by the writer Oliver Stonor, who had known Alyse previously; they were both present at local celebrations in East Chaldon on 7 or 8 May 1945, for the end of the Second World War in Europe, which took the form of a large bonfire near the Five Marys, a local group of prehistoric barrows. In her last years, many friends visited her, in spite of the rural isolation of Morebath, which had a railway station until 1966. Alyse had long been an advocate of voluntary euthanasia, and planned her departure from this life. She took a lethal overdose in 1967, and was cremated in Taunton, Somerset. Her last visitor was the historical novelist Rosemary Sutcliff.
Excerpts from her diaries were published in 1973 under the title The Cry of a Gull.
In 1999, Alyse Gregory: A Woman at her Window by Jacqueline Peltier was published (London, Cecil Woolf).
The Sundial Press reissued Gregory's third novel, Hester Craddock, at the end of January 2007 with a new introduction by Barbara Ozieblo.
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