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Russell Wheeler “Mitch” Davenport (1899 – April 19, 1954) was an American publisher and writer. He was part of the Literary Ambulance Drivers during WWI. Russell Wheeler Davenport and Max Foster were immortalized in Phelps Putnam’s poetry (and in a painting by Russell Cheney) as “Les Enfants Pendus,” which the poet translated as “the hung-up children.” The three of them are depicted in the poem as hanging by their necks from a tree, although they are not dead. Putnam wasn’t alone in his sexual conflicts. Among his close friends, at least two, Mitch Davenport and Farwell Knapp, offer striking parallels to his own life: both were trapped in unhappy marriages and only truly content when in the company of men they loved. In Davenport’s case, his letters and journals reveal homosexual experiences in college, as well as a lifelong sexual struggle that often left him depressed and bitter. In addition, a third member of their group, Charlie Walker (who’d also marry and have children), was arrested in 1916 on an apparent morals charge, which usually meant public homosexual activity. People like Putnam and Davenport, who could never conceive of themselves as homosexual, despite their love for other men. Homosexuals were fairies, pansies, or “little boys”—a label Cheney once angrily derided as “filthy” when a friend used it to describe his largely gay circle of friends. The number of suicides in Putnam’s circle is striking: Farwell Knapp put a gun to his head; Parker Lloyd-Smith, boon companion of Mitch Davenport, leaped from the twenty-third floor of a building. Even F.O. Matthiessen, the most grounded of the whole group, plunged from the twelfth floor of a Boston hotel in 1950, depressed over Cheney’s death and weary of being hounded for both his homosexuality and his political views. Mitch Davenport professed to be in love with Laura Barney Harding and probably would have divorced his wife if Laura had given the nod. But Mitch’s anguish over the suicide of his friend Parker Lloyd-Smith, with whom he admitted he’d been “more than intimate,” seems to have given Laura pause.
Les Enfants Pendus [painting], "Russell Cheney, 1881-1945: A Record of his Work with notes by F. O. Matthiessen," New York: Oxford University Press, 1947.
Yale University, New Haven, CT
Davenport was born in Bethlehem, Pennsylvania, the son of Russell W. Davenport, Sr., a vice president of Bethlehem Steel, and Cornelia Whipple Farnum.
In his journals, he writes of love for women, particularly his first fiancée, in an idealized way. Since love for women was so sacred, Davenport wrote, he “suppressed” his “animal desires” for them—which, he then rationalized, came out “highly unnaturally,” that is, through sex with men. In college, he had a sexual relationship with his classmate Robert Chapman "Bob" Bates, later a professor of French literature at Yale. Bates seems to have wanted the relationship to continue, writing love sonnets to Davenport. He asked him at one point, after clearly being rebuffed, “Ah, Mitch—are you still seeking ‘experience’? Are you still looking for material for novels—are you still that same strange self of yours, forever just not happy?”
He served with the U.S. Army in World War I and received the Croix de Guerre. He enrolled at Yale University and graduated in 1923, where he was classmate of Henry Luce and Briton Hadden, who founded Time magazine. While at Yale he became a member of the secret society Skull and Bones. In 1929, he married the writer Marcia Davenport; they divorced in 1944. He joined the editorial staff of Fortune magazine in 1930 and became managing editor in 1937.
At age forty-one, he turned to politics and became a personal and political advisor to Wendell Willkie. Willkie was the Republican nominee for the 1940 presidential election and lost the election to Franklin D. Roosevelt. After Willkie's death in 1944, Davenport became a defacto leader of the internationalist Republicans.
Following World War II, he was on the staff of Life and Time until 1952. In 1944, Simon and Schuster published one of his works, "My Country, A Poem of America". His book The Dignity of Man was published posthumously in 1955.
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