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Image result for Jerome RobbinsJerome Robbins (October 11, 1918 – July 29, 1998) was an American choreographer, director, dancer, and theater producer who worked in classical ballet, on Broadway, and in films and television. Among his numerous stage productions he worked on were On the Town, Peter Pan, High Button Shoes, The King And I, The Pajama Game, Bells Are Ringing, West Side Story, Gypsy, and Fiddler on the Roof; Robbins was a five time Tony Award winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for West Side Story. He was bisexual; he had a relationship with actor Montgomery Clift, but he never married. A documentary about his life and work, Something to Dance About, featuring excerpts from his journals, archival performance and rehearsal footage, and interviews with Robbins and his colleagues, premiered on PBS in 2009 and won both an Emmy and a Peabody Award the same year.[1][2]

Robbins had relationships with a number of people, from Montgomery Clift and Nora Kaye to Buzz Miller and Jesse Gerstein. He never married.[11]

Robbins had an intimate relationship during the 1940s with Fancy Free's scene designer, Oliver Smith. Although details are limited, suggestive traces exist. In the notebook of ideas for Fancy Free where Robbins lists possible composers, he mentions Smith on one page, simply naming him. Another page features a drawing of a nude male dancer, in midleap and with an erection. An arrow from the initials J.R. (written upside down) points to the drawing. A separate document—a letter from Smith to "Jerry" dated August 8, 1944—chronicles their romantic involvement several months after the ballet's premiere. The opening paragraph is unambiguously addressed to a romantic partner, with sexual references and direct affirmation of being in love. The rest of the letter migrates between romantic gestures and details of "a layout for the show," which at that point meant On the Town. Greg Lawrence, a biographer of Robbins, speculates that Robbins had affairs with John Kriza and Harold Lang while Fancy Free was emerging. In interviews with Lawrence, various dancers associated with Ballet Theatre attested to these romances, although many were sharing hunches. Kriza was "the real love of Jerry's life then," asserted dancer Shaun O'Brien, and Lawrence quotes others who also believed that Kriza and Robbins had an affair. Janet Reed inserted Harold Lang into the mix, recalling that he was bisexual and suggesting that a romantic tie to Robbins would have been strategic. "Lang was very ambitious," Reed stated, "and it seemed to me that any homosexual relationship he had was for getting ahead. But Jerry didn't have anything to gain, whereas Lang and Kriza had everything to gain from him." Fellow dancers also suspected a romantic relationship between Robbins and Leonard Bernstein. "They had a kind of brief encounter," declared the dancer Richard D'Arcy, "an affair just in that early period when they were doing Fancy Free." D'Arcy believed it happened "when the score was being written."

Portrait photograph of Jerome Robbins in Three Virgins and a Devil - Jerome Robbins, Carl Van Vechten - Published in PORTRAITS: the Photographs of Carl Van Vechten, 1978 , edited by Saul Mauriber
by Carl Van Vechten


by George Platt Lynes


Verso: stamp, "The Estate of Peter Hujar, Stephen Koch Executor, Printed by the Artist"; stamp, "Copyright 1976, The Estate of Peter Hujar, Not to be Reproduced Without Written Permission from the Estate"; stamp, "From the Estate #"; in pencil, "EPH 258-1"; signed in pencil, "Stephen Koch," in pencil, "Jerome Robbins at Bridgehampton, 1976"; in pencil, "HUJ 172".

Robert E. Griffith — Google Arts & Culture
West Side Story creative team From left to right: Stephen Sondheim (lyrics), Arthur Laurents (book), Hal Prince (producer), Robert E. Griffith (producer), Leonard Bernstein (music), and Jerome Robbins (director).


24 W 10th St


34 W 11th St


117 E 81st St


51 E 97th St

Robbins suffered a stroke in July 1998, two months after the premiere of his re-staging of Les Noces. He died at his home in New York on July 29, 1998. On the evening of his death, the lights of Broadway were dimmed for a moment in tribute. He was cremated and his ashes were scattered on the Atlantic Ocean.

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