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William Grant Still by Carl Van Vechten.jpgWilliam Grant Still, Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly 200 works, including five symphonies and nine operas. Richard Bruce Nugent contributed his story "Sandji" to Alain Locke's landmark anthology, The New Negro (1925). Although this is veiled by its heterosexual subject, Nugent's story is considered by some to be the earliest gay prose text written by an African American due to its allusion to the love of a male warrior for his chief's son. With Locke's encouragement, Nugent collaborated with William Grant Still, who wrote the musical score, to adapt the story into a one-act play, Sandji, an African Ballet. The play was included in Locke and Montgomery Gregory's Plays of Negro Life (1927) and in 1932 it was performed at the Eastman School of Music in Rochester, New York. Nugent garnered notoriety from his openly gay lifestyle in Harlem and D.C., his pursuit of homosexual themes in his writing, and his erotic drawings and poetry.

Often referred to as the "Dean of Afro-American Composers", Still was the first American composer to have an opera produced by the New York City Opera. Still is known primarily for his first symphony, Afro-American Symphony, which was until 1950 the most widely performed symphony composed by an American.

Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse.

Of note, Still was the first African American to conduct a major American symphony orchestra, the first to have a symphony (his 1st Symphony) performed by a leading orchestra, the first to have an opera performed by a major opera company, and the first to have an opera performed on national television.

Due to his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of the Harlem Renaissance movement.

William Grant Still, Jr. was born on May 11, 1895, in r.[1]:15 He was the son of two teachers, Carrie Lena Fambro[2] (1872–1927) and William Grant Still Sr[1]:5 (1871–1895). His father was a partner in a grocery store and performed as a local bandleader.[1]:5 William Grant Still Sr. died when his infant son was three months old.[1]:5

Still's mother moved with him to Little Rock, Arkansas, where she taught high school English.[1]:6 She met and in 1904[2] married Charles B. Shepperson, who nurtured his stepson William's musical interests by taking him to operettas and buying Red Seal recordings of classical music, which the boy greatly enjoyed.[1]:6 The two attended a number of performances by musicians on tour. His maternal grandmother Anne Fambro[2] sang African-American spirituals to him.[3]:6, 12

Still started violin lessons in Little Rock at the age of 15. He taught himself to play the clarinet, saxophone, oboe, double bass, cello and viola, and showed a great interest in music. At 16 years old, he graduated from M. W. Gibbs High School in Little Rock.[3]:3

His mother wanted him to go to medical school, so Still pursued a Bachelor of Science degree program at Wilberforce University, a historically black college in Ohio.[4] Still became a member of Kappa Alpha Psi fraternity. He conducted the university band, learned to play various instruments, and started to compose and to do orchestrations. He left Wilberforce without graduating.[1]:7

He was awarded scholarships to the Oberlin Conservatory of Music, where he studied with Friedrick Lehmann and George Andrews. He also studied privately with the modern French composer Edgard Varèse and the American composer George Whitefield Chadwick.[5]:249[2]

On October 4, 1915,[2] Still married Grace Bundy, whom he had met while they were both at Wilberforce.[1]:1,7 They had a son, William III, and three daughters, Gail, June, and Caroline.[2] They separated in 1932 and divorced February 6, 1939.[2]

In 1916 Still worked in Memphis for W.C. Handy's band.[2] In 1918 Still joined the United States Navy to serve in World War I. After the war he went to Harlem, where he continued to work for Handy.[2] During his time in Harlem Still was involved with other important cultural figures of the Harlem Renaissance such as Langston Hughes, Alain Locke, Arna Bontemps, and Countee Cullen, and is considered to be part of that movement.[7]

He recorded with Fletcher Henderson's Dance Orchestra in 1921,[8]:85 and later played in the pit orchestra for Noble Sissle and Eubie Blake's musical, Shuffle Along[1]:4 and in other pit orchestras for Sophie Tucker, Artie Shaw, and Paul Whiteman.[9] With Henderson, he joined Henry Pace's Pace Phonograph Company (Black Swan).[10] Later in the 1920s, Still served as the arranger of Yamekraw, a "Negro Rhapsody" composed by the Harlem stride pianist James P. Johnson.

In the 1930s Still worked as an arranger of popular music, writing for Willard Robison's Deep River Hour and Paul Whiteman's Old Gold Show, both popular NBC Radio broadcasts.[9]

Still's first major orchestral composition, Symphony No. 1 "Afro-American", was performed in 1931 by the Rochester Philharmonic, conducted by Howard Hanson.[2] It was the first time the complete score of a work by an African American was performed by a major orchestra.[2] By the end of World War II the piece had been performed in New York, Chicago, Los Angeles, Berlin, Paris, and London.[2] Until 1950 the symphony was the most popular of any composed by an American.[11] Still developed a close professional relationship with Hanson; many of Still's compositions were performed for the first time in Rochester.[2]

In 1934 Still moved to Los Angeles. He received his first Guggenheim Fellowship[12] and started work on the first of his eight operas, Blue Steel.

In 1936, Still conducted the Los Angeles Philharmonic Orchestra at the Hollywood Bowl; he was the first African American to conduct a major American orchestra in a performance of his own works.[13][9]

Still arranged music for films. These included Pennies from Heaven (the 1936 film starring Bing Crosby and Madge Evans) and Lost Horizon (the 1937 film starring Ronald Colman, Jane Wyatt and Sam Jaffe).[2] For Lost Horizon, he arranged the music of Dimitri Tiomkin. Still was also hired to arrange the music for the 1943 film Stormy Weather, but left the assignment because "Twentieth-Century Fox 'degraded colored people.'"[2]

On February 8, 1939, he married pianist Verna Arvey, driving to Tijuana for the ceremony because interracial marriage was illegal in California.[1]:2[2] They had a daughter, Judith Anne, and a son, Duncan.[1]:2[2] Still's granddaughter is journalist Celeste Headlee by way of Judith Anne.

Still composed Song of a City for the 1939 World's Fair in New York City.[14] The song played continuously during the fair by the exhibit "Democracity."[14] According to Still's granddaughter, he couldn't attend the fair except on "Negro Day" without police protection.[15]

In 1949 his opera Troubled Island, originally completed in 1939, about Jean-Jacques Dessalines and Haiti, was performed by the New York City Opera.[2] It was the first opera by an American to be performed by that company[16] and the first by an African American to be performed by a major company.[13] Still was upset by the negative reviews it received.[2]

In 1955 he conducted the New Orleans Philharmonic Orchestra; he was the first African American to conduct a major orchestra in the Deep South.[13] Still's works were performed internationally by the Berlin Philharmonic Orchestra, the London Symphony Orchestra, the Tokyo Philharmonic Orchestra, and the BBC Orchestra.

On December 1, 1976, his home was designated Los Angeles Historic-Cultural Monument #169. It is located at 1262 Victoria Avenue in Oxford Square, Los Angeles.[6]

In 1981 the opera A Bayou Legend was the first by an African-American composer to be performed on national television.[17]

Still was known as the "Dean of Afro-American Composers".[7][13] Still and Arvey's papers are held by the University of Arkansas.[7]


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