
      BURIED TOGETHER
Partner Glenway Wescott, George Platt Lynes, buried together with Glenway Wescott
Queer Places:
17 Christopher St, New York, NY 10014
	  Stone-blossom, Clinton, NJ 08809, Stati Uniti
410 Park Ave, New York, NY 10022, Stati Uniti
Haymeadows, Raven Rock Rosemont Rd, Stockton, NJ 08559, Stati Uniti
  	  
Monroe Wheeler (February 13, 1899 - August 14, 1988) was a publisher and 
  museum coordinator, heavily involved, in various roles, with the Museum of 
  Modern Art, New York.
Monroe Wheeler was born on February 13, 1899, in 
  Evanston, Illinois. 
In 1919 Wheeler met his longtime companion
  Glenway Wescott and in the 1920s they 
  worked and lived in Germany and France. In 1922, in Germany, Wheeler published 
  ''Manikin'' (later ''The Indians in the Woods'') by Janet Lewis. Before her 
  marriage to Lloyd Wescott, Glenway's brother, Barbara Harrison and Wheeler 
  established "Harrison of Paris", a press publishing limited-edition literary 
  paperbacks. From 1930 to 1934, Harrison of Paris published thirteen titles, 
  including two new works by Glenway Wescott. Wheeler published also deluxe 
  illustrated books and limited-edition prints for artists by the like of 
  Picasso, Renoir and Chagall. In 1934, shortly before Barbara Harrison married 
  Lloyd Wescott, the press relocated to New York, where it published a final 
  title, Katherine Anne Porter's ''Hacienda''.
For over ten years, 
  photographer George Platt Lynes had 
  a love affair with first Wheeler and then Wescott, living in a menage a trois. 
  Another of Wheeler's lover was 
  Christian William Miller.
Wescott and Wheeler returned to the 
  United States and maintained an apartment in Manhattan with photographer 
  George Platt Lynes. When his brother Lloyd moved to a dairy farm near Clinton, 
  New Jersey, in 1936, Wescott along with Wheeler and Lynes took over one of the 
  farmhand houses and called it Stone-Blossom. By Platt Lynes' death in 1955, 
  the relationship with Wheeler was ended.
	  
	  by  
  George Platt Lynes
	  
  	
	  
	  
	  Wescott Farm
	  
	  
  	In 1935 Wheeler joined the 
  Museum of Modern Art, New York, first as a member of the Library Committee and 
  director of Ignatz Wiemeler, Modern Bookbinder, then, 1938, Director of 
  Membership, and by 1939, Director of Publications. In 1940, he became the 
  first Director of Exhibitions. In 1944 he was elected a Trustee of the Museum, 
  followed by member of the Executive Committee, the Exhibitions Program 
  Committee, and the Coordination Committee. In 1948, Wheeler continued to run 
  the Exhibitions and Publications department while overseeing the management of 
  all of the Museum's operating outreach programs, including education, 
  traveling (or circulating) exhibitions, and the library.
During the 
  period between 1940-1967, Wheeler managed much of the logistics of the 
  circulating exhibitions program and developed a strong publications program. 
  Wheeler also directed museum exhibitions such as ''Modern Painters and 
  Sculptors as Illustrators'' (1936) and ''Turner: Imagination and Reality'' 
  (1966). Under his direction the Museum produced over 300 books, both 
  monographs and exhibition catalogues, among the others, Edward Steichen's book 
  of photographs ''The Family of Man'', and John Rewald's ''History of 
  Impressionism''. Wheeler wrote many of the works published by the Museum, 
  including monographs about Soutine and Rouault.
During World War II, 
  Wheeler served as Chairman of the Committee on Publications for the Office of 
  Inter-American Affairs under Nelson A. Rockefeller.
In the 1950s, upon 
  the suggestion of Monroe Wheeler, Hermann Zapf decided to adapt his typeface, 
  ''Optima'' to be used as a book type. Optima is the first German typeface not 
  based on the standard baseline alignment that had been used up until this 
  point in time.
In 1954 Wheeler, at the time head of the department of 
  exhibitions and publications at New York's Museum of Modern Art, while in 
  Calcutta, heard about the project for ''Pather Panchali'', a 1955 Indian 
  Bengali-language drama film written and directed by Satyajit Ray and decide to 
  meet the director. He considered the incomplete footage to be of very high 
  quality and encouraged Ray to finish the film so that it could be shown at a 
  MoMA exhibition the following year. Six months later, American director John 
  Huston visited India for some early location scouting for ''The Man Who Would 
  Be King''. Wheeler had asked Huston to check the progress of Ray's project. 
  Huston saw excerpts of the unfinished film and recognised "the work of a great 
  film-maker". Because of Huston's positive feedback, MoMA helped Ray with 
  additional money.
In 1959, when his brother Lloyd acquired a farm near 
  the village of Rosemont in Delaware Township, Hunterdon County, New Jersey, 
  Wescott moved into a two-story stone house on the property, dubbed Haymeadows.
  
In 1969, he accompanied Nelson A. Rockefeller on an official U.S. 
  appointed tour of Latin America as a Cultural Advisor. As a part of the 
  International Program and under the auspices of the International Council, in 
  1965 Wheeler directed the exhibition ''Cézanne to Miró''.
In 1965 
  Wheeler was appointed an Honorary Trustee of the Museum and, in 1967, upon his 
  retirement, he was appointed a Counsellor to the Trustees. He continued to 
  maintain ties to the Museum by working with the International Council and 
  participating in a number of committees, including Prints and Illustrated 
  Books, Photography, Drawings and Exhibitions.
In 1973, Russell Lynes, 
  writing about the History of the MoMa, said: "It was as a diplomat, an 
  organizer and a publisher, not as a scholar, that he made his career in the 
  museum".
Other than with the MoMA, Wheeler was: Trustee and First Vice 
  President of the New York Genealogical and Biographical Society, a Trustee of 
  the Katherine Anne Porter Foundation, a Trustee of the Ben Shahn Foundation, a 
  member of the Council of the Grolier Club, and President of the International 
  Graphic Arts Society. He played an active role in the American Institute of 
  Graphic Arts as well.
In 1987, Wescott died of a stroke at his home in 
  Rosemont and was buried in the small farmer's graveyard hidden behind a rock 
  wall and trees at Haymeadows. Monroe Wheeler died on August 14, 1988, in New 
  York City and is buried alongside Wescott.[1]
My published books:
	
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