Queer Places:
Cimetière de Urt Urt, Departement des Pyrénées-Atlantiques, Aquitaine, France

Image result for Roland BarthesRoland Gérard Barthes ([3]12 November 1915 – 26 March[4] 1980) was a French literary theorist, philosopher, linguist, critic, and semiotician. Barthes' ideas explored a diverse range of fields and he influenced the development of schools of theory including structuralism, semiotics, social theory, design theory, anthropology and post-structuralism.

Roland Barthes was born on 12 November 1915 in the town of Cherbourg in Normandy. His father, naval officer Louis Barthes, was killed in a battle during World War I in the North Sea before Barthes' first birthday. His mother, Henriette Barthes, and his aunt and grandmother raised him in the village of Urt and the city of Bayonne. When Barthes was eleven, his family moved to Paris, though his attachment to his provincial roots would remain strong throughout his life.

Barthes showed great promise as a student and spent the period from 1935 to 1939 at the Sorbonne, where he earned a licence in classical literature. He was plagued by ill health throughout this period, suffering from tuberculosis, which often had to be treated in the isolation of sanatoria.[5] His repeated physical breakdowns disrupted his academic career, affecting his studies and his ability to take qualifying examinations. They also exempted him from military service during World War II. While being kept out of the major French universities meant that he had to travel a great deal for teaching positions, Barthes later professed an intentional avoidance of major degree-awarding universities, and did so throughout his career.[6]

His life from 1939 to 1948 was largely spent obtaining a licence in grammar and philology, publishing his first papers, taking part in a medical study, and continuing to struggle with his health. He received a diplôme d'études supérieures (fr) (roughly equivalent to an MA thesis) from the University of Paris in 1941 for his work in Greek tragedy.[7] In 1948, he returned to purely academic work, gaining numerous short-term positions at institutes in France, Romania, and Egypt. During this time, he contributed to the leftist Parisian paper Combat, out of which grew his first full-length work, Writing Degree Zero (1953). In 1952, Barthes settled at the Centre National de la Recherche Scientifique, where he studied lexicology and sociology. During his seven-year period there, he began to write a popular series of bi-monthly essays for the magazine Les Lettres Nouvelles, in which he dismantled myths of popular culture (gathered in the Mythologies collection that was published in 1957). Consisting of fifty-four short essays, mostly written between 1954–1956, Mythologies were acute reflections of French popular culture ranging from an analysis on soap detergents to a dissection of popular wrestling.[8] Knowing little English, Barthes taught at Middlebury College in 1957 and befriended the future English translator of much of his work, Richard Howard, that summer in New York City.[9]

Barthes spent the early 1960s exploring the fields of semiology and structuralism, chairing various faculty positions around France, and continuing to produce more full-length studies. Many of his works challenged traditional academic views of literary criticism and of renowned figures of literature. His unorthodox thinking led to a conflict with a well-known Sorbonne professor of literature, Raymond Picard, who attacked the French New Criticism (a label that he inaccurately applied to Barthes) for its obscurity and lack of respect towards France's literary roots. Barthes' rebuttal in Criticism and Truth (1966) accused the old, bourgeois criticism of a lack of concern with the finer points of language and of selective ignorance towards challenging theories, such as Marxism.

By the late 1960s, Barthes had established a reputation for himself. He traveled to the US and Japan, delivering a presentation at Johns Hopkins University. During this time, he wrote his best-known work, the 1967 essay "The Death of the Author," which, in light of the growing influence of Jacques Derrida's deconstruction, would prove to be a transitional piece in its investigation of the logical ends of structuralist thought. Barthes continued to contribute with Philippe Sollers to the avant-garde literary magazine Tel Quel, which was developing similar kinds of theoretical inquiry to that pursued in Barthes' writings. In 1970, Barthes produced what many consider to be his most prodigious work, the dense, critical reading of Balzac's Sarrasine entitled S/Z. Throughout the 1970s, Barthes continued to develop his literary criticism; he developed new ideals of textuality and novelistic neutrality. In 1971, he served as visiting professor at the University of Geneva.

In 1975 he wrote an autobiography titled Roland Barthes and in 1977 he was elected to the chair of Sémiologie Littéraire at the Collège de France. In the same year, his mother, Henriette Barthes, to whom he had been devoted, died, aged 85. They had lived together for 60 years. The loss of the woman who had raised and cared for him was a serious blow to Barthes. His last major work, Camera Lucida, is partly an essay about the nature of photography and partly a meditation on photographs of his mother. The book contains many reproductions of photographs, though none of them are of Henriette.

On 25 February 1980, Roland Barthes was knocked down by a laundry van while walking home through the streets of Paris. One month later, on March 26,[10] he succumbed to the chest injuries sustained in that accident.[11]


  1. Roland Barthes, "Introduction à l'analyse structurale des récits", Communications, 8(1), 1966, pp. 1–27, translated as "Introduction to the Structural Analysis of Narratives", in: Roland Barthes, Image–Music–Text, essays selected and translated by Stephen Heath, New York 1977, pp. 79–124.
  2. Réda Bensmaïa, The Barthes Effect: The Essay as Reflective Text, University of Minnesota Press, 1987, p. 112 n. 74: "On all these pages [of Le plaisir du texte], Barthes refers directly to Nietzsche whom he quotes, mentions, or "translates" freely."
  3. "Barthes". Random House Webster's Unabridged Dictionary.
  4. Roland A. Champagne, Literary History in the Wake of Roland Barthes: Re-Defining the Myths of Reading, Summa Publications, Inc., 1984, p. vii.
  5. Ben Rogers (8 January 1995). "ROLAND BARTHES: A Biography by Louis-Jean Calvet". The Independent.
  6. "Roland Barthes - Roland Barthes Biography - Poem Hunter". www.poemhunter.com. Retrieved 2017-06-29.
  7. Alan D. Schrift, Twentieth-Century French Philosophy: Key Themes and Thinkers, John Wiley & Sons, Feb 4, 2009, p. 94.
  8. Huppatz, D.J. (2011). "Roland Barthes, Mythologies". Design and Culture. 3 (1).
  9. Richard Howard. "Remembering Roland Barthes," The Nation (November 20, 1982): "Mutual friends brought us together in 1957. He came to my door in the summer of that year, disconcerted by his classes at Middlebury (teaching students unaccustomed to a visitor with no English to speak of) and bearing, by way of introduction, a fresh-printed copy of Mythologies. (Michelet and Writing Degree Zero had already been published in France, but he was not yet known in America—not even in most French departments. Middlebury was enterprising.)" Reprinted in Signs in Culture: Roland Barthes Today, edited by Steven Ungar and Betty R. McGraw, University of Iowa Press, 1989, p. 32 (ISBN 0-877-45245-8).
  10. "Le plaisir des sens". Le Monde.fr (in French). Retrieved 2016-10-30.
  11. J. Y. Smith (27 March 1980). "Roland Barthes, French Writer, dies at 64". The Washington Post.