Partner Anita Gunn

Queer Places:
48 Wildwood Rd, London NW11 6UP, UK
Glamis Castle, Forfar DD8 1RJ, UK
Golders Green Crematorium, 60 Hoop Ln, London NW11 7NL, UK

Myra Hess, photographed by Carl Van Vechten, in 1937Dame Julia Myra Hess, DBE (25 February 1890 – 25 November 1965) was an English pianist, best known for her performances of the works of Bach, Mozart, Beethoven and Schumann.[1] Myra remained unmarried throughout her life and maintained close relationships with other openly lesbian composers and musicians of her day such as Maude Valerie White and Irene Scharrer. She lived with her companion Anita Gunn in the Hampstead Garden suburb of London. Hess and Gunn were friends with Willa Cather.

Anita Gunn grew up on a farm bordering on Queen Elizabeth The Queen Mother's home estate, Glamis Castle, when there was no likelihood whatever of her being Queen of England. Through Anita Gunn, The Queen Mother was a friend of Myra Hess.

Hess was born on 25 February 1890 to a Jewish familyy[2] in South Hampstead.[3] She was the youngest of four children, and began piano lessons at age five.[2] She studied at the Guildhall School of Music and the Royal Academy of Music, under Tobias Matthay.[1]]

Her debut came in 1907 when she played Beethoven's Piano Concerto No. 4 with Sir Thomas Beecham conducting. She went on to tour through Britain, the Netherlands and France. Upon her American debut (in New York City on 24 January 1922), she became a prime favourite in the United States—not only as a soloist, but also as an ensemble player.

At the age of forty the pianist Myra Hess was rescued from crushing loneliness and despair after the death of her mother by the devoted ministrations of her new secretary, Anita Gunn. Anita, known as ‘Saz’, was to remain at Myra Hess’s side for more than thirty years. There was nothing she would not do for her. On tour she packed, took phone calls, pacified impresarios and agents, got them in and out of hotels and concert halls, shopped, ironed, and played double solitaire between fixtures. According to Saz they had ‘high old times’ and ‘roared with laughter from morning till night’.

Myra Hess, photographed by Carl Van Vechten, in 1937
by Carl Van Vechten

Hess garnered greater fame during the Second World War when, with all concert halls blacked out at night to avoid being targeted by German bombers, she organised what would turn out to be almost 2,000 lunchtime concerts spanning a period of six years, starting during The Blitz. The concerts were held at the National Gallery, in Trafalgar Square. Hess began her lunchtime concerts a few weeks after the start of the war. They were presented on Monday to Friday, for six-and-a-half years without fail. If London was being bombed, the concert was moved to a smaller, safer room. Every artist was paid five guineas, no matter who they were.

In all, Hess presented 1,6988[4] concerts seen by 824,152 people; she personally played in 150 of them. She made a brief appearance performing at one of her lunchtime concerts in the 1942 wartime documentary Listen to Britain (directed by Humphrey Jennings and Stewart McAllister).[5]] In the novel The Cruel Sea, a character attends a 1943 lunchtime concert by Hess, and is deeply moved. In the play Noises Off, one character's penchant for continuing to deliver his lines while ignoring the director is likened to "Myra Hess playing through the air raids."

For this contribution to maintaining the morale of the populace of London, King George VI created her a Dame Commander of the Order of the British Empire in 1941. (She had previously been created a CBE in 1936.) Hess's lunchtime concerts influenced the formation of the City Music Society, according to the organisation's website.[6]]

In 1946, Arturo Toscanini invited Hess to perform with the NBC Symphony Orchestra in New York City. According to Toscanini's biographer Mortimer Frank, after Hess and the conductor had failed to agree on tempos for Beethoven's Fifth Piano Concerto, they decided instead to perform Beethoven's Third. The 24 November 1946 broadcast concert was preserved on transcription discs and later issued on CD by Naxos Records.[7]]

Hess was most renowned[8] for her interpretations of the works of Mozart, Beethoven and Schumann, but had a wide repertoire, ranging from Domenico Scarlatti to contemporary works. She gave the premiere of Howard Ferguson's Piano Sonata and his Piano Concerto. She also played a good amount of chamber music and performed in a piano duo with Irene Scharrer. Hess promoted public awareness of the piano duet and two-piano works of Schubert.

In 1926 and 1934 she famously arranged, for both solo piano and for two pianos the chorale Wohl mir, daß ich Jesum habee from Bach's Cantata Herz und Mund und Tat und Leben (BWV 147). This is Movement 6 of the cantata; the music is the same for Movement 10, Jesus bleibet meine Freudee. Her arrangement was published under the title Jesu, Joy of Man's Desiring,[9]] which is a translation of neither of these German titles but, roughly, of the unrelated work Jesu, meiner Seelen Wonne by Martin Janus (or Jahn). The chorale melody, written in 1641, is by violinist Johann Schop, not by Bach, who composed its setting.

Her protégés included Clive Lythgoe and Richard and John Contiguglia. She also taught Stephen Kovacevich (then known as Stephen Bishop). She also has a link to jazz, having given lessons in the 1920s to Elizabeth Ivey Brubeck, mother of Dave Brubeck.[10]]

Arnold Bax's 1915 piano piece In a Vodka Shopp is dedicated to her.

In September 1961, Hess played her final public concert at London's Royal Festival Hall. She was forced to retire after suffering a stroke in early 1961 that left her with permanent brain damage.[11]] By the end of the summer of that year it became clear that her public playing days were over. She continued to teach a handful of students, notably Stephen Kovacevich, during her last years.

On 25 November 1965, Hess died at the age of 75 of a heart attack in her London home..[12] A blue plaque commemorates her at 48 Wildwood Road in Hampstead Garden Suburb.[13]]

In 1977, the Chicago Cultural Center began a series of free lunchtime concerts held at its Preston Bradley Hall every Wednesday from 12:15 pm to 1:00 pm, named in Hess's honour as the Dame Myra Hess Memorial Concerts. The series is produced by Chicago's International Music Foundation. Since 1977, the concerts have been broadcast live on radio station WFMT and streamed at[14]]

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