Holy Sepulchre Cemetery Alsip, Cook County, Illinois, USA
Helen Morgan (August 2, 1900 – October 9, 1941) was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s. She starred as Julie LaVerne in the original Broadway production of Hammerstein and Kern's musical Show Boat in 1927, as well as in the 1932 Broadway revival of the musical, and appeared in two film adaptations, a part-talkie made in 1929 (prologue only) and a full-sound version made in 1936, becoming firmly associated with the role. She suffered from bouts of alcoholism, and despite her notable success in the title role of another Hammerstein and Kern's Broadway musical, Sweet Adeline (1929), her stage career was relatively short. Helen Morgan died of cirrhosis of the liver at the age of 41. She was portrayed by Polly Bergen in the Playhouse 90 drama The Helen Morgan Story and by Ann Blyth in the 1957 biopic based on the television drama.
Today, Morgan is perhaps best remembered in the role of Julie in Showboat, a part she played on Broadway and in the 1936 film. It was in this role, after an evening performance, that Morgan became one of Carl Van Vechten’s first photographic subjects. Already a little drunk when she arrived, Morgan asked her chauffeur to bring a bottle of brandy from her car after Van Vechten had taken only a few pictures. They drank and talked and Van Vechten photographed Morgan well into the night; “Helen did not depart until four-thirty in the morning,” Van Vechten’s friend, Donald Angus, remembered, “but during the interim Carl had captured both the bitterness and the ebullience of the story of her wretched life, which she told at length as the time passed and the brandy dwindled.”
She was born Helen Riggin in 1900 in Danville, Illinois. Her father, Frank Riggin, was a farmer in Davis Township, Fountain County, Indiana. After her mother, Lulu Lang Riggin, divorced and remarried, she changed her last name to Morgan. Her mother's second marriage ended in divorce, and she moved to Chicago with her daughter. Helen never finished school beyond the eighth grade, and worked a variety of jobs just to get by. She worked as an extra in films. By the age of 20, Morgan had taken voice lessons and started singing in speakeasies in Chicago. Her voice was not fashionable during the 1920s for the kind of songs in which she specialized; nevertheless, she became a wildly popular torch singer. A draped-over-the-piano look became her signature while performing at Billy Rose's Backstage Club in 1925. Morgan became a heavy drinker and was often reportedly drunk during these performances. Morgan was noticed by Florenz Ziegfeld while dancing in the chorus of his production of Sally in 1923, and she went on to perform with the Ziegfeld Follies in 1931, the Follies' last active year. During this period, she studied music at the Metropolitan Opera in her free time. In 1927, Morgan appeared as Julie LaVerne in the original cast of Show Boat, her best-known role. She sang "Bill" (lyrics by P.G. Wodehouse, music by Jerome Kern) and "Can't Help Lovin' Dat Man" in two stage runs and two film productions of Show Boat over a span of 11 years. During the run of Show Boat, however, Morgan's stardom led to difficulties. Her prominence in the world of New York nightclubs (actually illegal speakeasies in the era of Prohibition) led to her fronting a club called Chez Morgan, at which she entertained. On December 30, 1927, only days after the opening of Show Boat, she was arrested at Chez Morgan for violation of liquor laws. Charges were dropped in February 1928, and the club reopened as Helen Morgan's Summer Home, but she was arrested again on June 29 and this time indicted. A jury acquitted her at a trial held in April 1929. After appearing in the 1929 film version of Show Boat, she went on to star in Kern and Hammerstein's Broadway musical Sweet Adeline. The title was a reference to the famous barbershop quartet song. She took the role of burlesque star Kitty Darling in Rouben Mamoulian's 1929 classic feature film Applause, with fine acting that included stage act portrayals, as well as a cappella singing in private scenes. Morgan starred in a radio program, Broadway Melodies, on CBS. The show, which featured light, popular, and semiclassical music, ran from September 24, 1933, to April 22, 1934. A later version, retitled Broadway Varieties and without Morgan, ran from May 2, 1934, to July 30, 1937. Her last film appearance was in the 1936 version of Show Boat, often considered to be the better of the two film versions of the stage musical. It was remade in Technicolor in 1951. The 1929 film version was based on Edna Ferber's novel of the same name, from which the musical was adapted, rather than on the show). In the late 1930s, Morgan was signed up for a show at Chicago's Loop Theater. She also spent time at her farm in High Falls, New York. Alcoholism plagued her, and she was hospitalized in late 1940, after playing Julie La Verne one last time in a 1940 Los Angeles stage revival of Show Boat. She made something of a comeback in 1941, thanks to her manager, Lloyd Johnston. However, the years of alcohol abuse had taken their toll. She collapsed onstage during a performance of George White's Scandals of 1942 and died in Chicago of cirrhosis of the liver on October 9, 1941. Morgan was married three times, first to a fan (Lowell Army) she had met at a stage door while she was performing in Sally. Then, she married Maurice "Buddy" Maschke III, grandson of Maurice Maschke, on May 15, 1933. She sued him for divorced in 1935. Her third husband was Lloyd Johnston, whom she married on July 27, 1941. On June 25, 1926, in Springfield, Illinois, Morgan had a baby girl (Elaine Danglo), whom she gave up for adoption. Morgan was portrayed by Polly Bergen in a 1957 Playhouse 90 drama, The Helen Morgan Story, directed by George Roy Hill. Bergen won an Emmy Award for her performance. That same year, the feature film The Helen Morgan Story starred Ann Blyth as Morgan.
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