Partner Catherin Melville, Alice Cunningham Fletcher, Caroline Sturge
Queer Places:
214 First St SE, Washington, DC 20003
Kamiah, Bridgwater Rd, Sidcot, Winscombe, BS25 1NA
St. James the Great Churchyard
Winscombe, North Somerset Unitary Authority, Somerset, England
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Elizabeth
"Emma"
Jane Gay (July 27, 1830 – March, 1919) (also known as E. Jane Gay) was an American woman who
devoted her life to social reform and photography. She has become most notable
for her photographs of the Nez Perce, which she took during a federal
expedition led by American ethnologist and anthropologist
Alice Cunningham Fletcher.
Emma Jane Gay was born in 1830 in Nashua, New Hampshire, to Ziba Gay (1796–1864) and Mary (Kennedy) Gay (1798–1873).[1][2] She received her education at the Brooklyn Female Academy in New York, where she first befriended Alice Cunningham Fletcher.[3]:114 Gay's education at the Brooklyn Female Academy included the sciences, religion, and homemaking.[3]:115
Gay's first job was as a teacher. In 1856 she accompanied her friend Catherin Melville to Macon, Georgia, to open a school for girls.[1] The school closed in 1860, which prompted Melville and Gay to move to Washington, D.C. to serve as administrators for a school for deaf young children.[4]
From 1861 through 1865, Gay worked as a nurse with Dorothea Dix during the Civil War.[1] After the war, Gay served as a tutor for President Andrew Johnson's grandchildren, then worked as a clerk in a dead letter office.[1] When this job ended in 1883, Gay had a brief period of unemployment.
In 1888, Gay reconnected with Alice Cunningham Fletcher, and they renewed their friendship. She taught herself photography during this time.[1] In 1889, the United States Department of the Interior appointed Fletcher as a special agent to lead an expedition to Nebraska and Idaho, with the intent to apportion tribal lands among the Winnebagos and the Nez Perce as part of the Dawes Severalty Act of 1887.[1]
Gay accompanied Fletcher on this journey as a cook, maid, and secretary.[3]:111-150 Gay had failed to earn a permit from the federal government to serve as the "official" expedition photographer, but during the expedition she took over 400 photographs of the Nez Perce.[5][6] In 1909, she worked with her niece to publish the letters written during that expedition, along with half of the photographs, in a two-volume book titled Choup-nit-ki: With the Nez Percés.[5]
Gay's photographs of the Nez Perce have only recently earned critical acclaim. On the surface, the black and white photographs paint a positive image of "civilized" Nez Perce in Western attire, working on farms or ranches, living in cabins and engaging in manual labor. Domesticity appears to be celebrated in these photographs. On the surface, these photographs showed the "success" of the government land appropriation program. Contemporary scholars, however, have noted themes of nationalism, colonialism, and racism in Gay's work.[7][5] Several photographs feature the white, large Fletcher standing tall while the Nez Perce subjects work in the background or in subservient poses. Gay had also captured the heteronormative gendering of labor, in addition to the racial distribution of labor, in the photographs.[5]
Gay neither married nor had children, but had close ties with her niece and namesake Emma Jane Gay. After the Western expedition she had embarked upon with Fletcher, Gay returned to Washington, D.C., where she and Alice Fletcher shared a house until Gay and Emma traveled to England for an extended visit with Dr. Caroline Sturge (1861-1922), who was friends with Jane's doctor in Washington, D.C. By this time, Jane Gay and Alice Fletcher were no longer sharing a home.. The visit eventually became a permanent arrangement--after first moving from London to the village of Congresbury in Somerset, Jane and Caroline, accompanied by Emma, moved to Winscombe, a few miles away, in 1915. With Emma's help, Jane Gay created a scrapbook of edited letters recounting her years in Idaho, illustrated with some of the photographs she had taken, and additional artwork by Emma. Emma, who had studied bookbinding, bound the scrapbook into two volumes and built a wooden case for the work, which was titled "Choup-nit-ki: With the Nez Percés." The unpublished work was later donated to the Schlesinger Library by Jane Gay Dodge. [5] Gay decided to remain in Somerset, England, where she lived with her beloved companion Dr. Caroline Sturge.[8] After World War One, Sturge used some of her inheritance to have a cottage built in Winscombe, Somerset, where she and Gay could live out their final years. Their home in Winscombe was designed by Bristol architect Sir George Oatley. The seven bedroom cottage featured two gables, one decorated with the letter "G" and the other with the letter "S" under the gable peak. Jane had loved her time in Idaho and never forgot the beautiful Clearwater Valley or the people she met there. As she wrote to Kate McBeth in 1910, "I often dream of being again in our old camps—do you remember the 4th of July celebrations at Kamiah & the turkey dinner at Lapwai & the loaves of delicious bread you made for us— They all come back in my dreams.”
Jane and Caroline named the house in Winscombe "Kamiah". Jane died there at the age of 88 in March of 1919.[9]
In multiple texts Gay is referred to as Fletcher's "companion", living in "domestic partnership" or "Boston Marriage" with her.[6][3]:111-150 [5] The roles that Gay played during the expedition—as well as the fact that she never married a man and had intimate relationships with other women over the course of her lifetime—have led scholars to believe that she was a lesbian.[3]:111-150 [4] Due to this fact, art historians identify Gay as the first American lesbian photographer.[8][10]
My published books:
