Queer Places:
The Metropolitan Museum of Art, 1000 5th Ave, New York, NY 10028, USA
Vinland Estate, 100 Ochre Point Ave, Newport, RI 02840
Green-Wood Cemetery Brooklyn, Kings County (Brooklyn), New York, USA

Portrait of Wolfe by Cabanel, 1876Catharine Lorillard Wolfe (8 March 1828 – 4 April 1887) was an American philanthropist and art collector.[1] Though she gave large amounts of money to institutions such as Grace Episcopal Church and Union College, her most significant gifts were two bequests to the Metropolitan Museum of Art in New York City. She left her large collection of popular contemporary paintings to the museum, together with $200,000.[2]

Wolfe was the daughter of John David Wolfe (1792–1872),[3][4] and Dorothea Ann Lorillard (1798–1866).[5] Her father was a New York merchant and real estate developer who was the president and a founder of the American Museum of Natural History while her mother was a partial inheritor of the Lorillard tobacco fortune.[6] Her sister was Mary Lorillard Wolfe (1823–1847), who was married to William Bayard Hoffman (d. 1880) before her early death,[7] and her brother was David Lorillard Wolfe (1825–1829), who died young.[5]

Her paternal grandfather was David Wolfe (1748–1836), an officer during the Revolution in the Paymaster's department,[3] and her maternal grandfather was Pierre Lorillard II (1764–1843), both of New York[6] Her aunt, Catherine Wolfe, married George Bruce (1781–1866).

Wolfe led a private and sheltered life after the death of her mother in 1867.[8] After the death of her father in 1872, she inherited the family fortune which was estimated at $12,000,000,[8] which she used to continue their philanthropic activities.[9] She supported the Newsboys' Lodging House and Industrial School (an outgrowth of Charles Loring Brace's movement to help care for New York's homeless children); she financed archaeological missions, including one that unearthed Nippur; she was also involved with the American Museum of Natural History. She provided $10,000, half the funding for the creation of Bishop Whitaker's School for Girls in Reno, Nevada, on the condition that Episcopal Bishop Ozi William Whitaker raise the other half from other sources. The school was founded in 1876, and operated until 1894.

Wolfe, who did not marry, had a home in Newport, Rhode Island, known as "Vinland," designed and built in 1882 by Peabody & Stearns that featured a Romanesque Revival style exterior consisting of red sandstone with Aesthetic Movement style elements,[10] and built on land acquired from the estate of William Beach Lawrence for $200,000.[11] She also had a home in Throggs Neck (demolished in 1929) and at 13 Madison Avenue (Madison Square and East 24th Street, demolished in 1906 to make space to the Madison Square Presbyterian Church, which was also demolished in 1919) in New York City.[12]

The bequest of her art collection was her most significant philanthropic endeavor. Her collection gave the Metropolitan its first significant representation of the kinds of paintings that appealed to the general public.[13] Star attractions in her collection included Ludwig Knaus's Holy Family and Jules Breton's Procession of Pardon in Brittany.[14] The opening of the Catharine Lorillard Wolfe Wing displaying these popular paintings, coupled with the Museum's simultaneous acquisition by gift of Rosa Bonheur's enormously popular painting The Horse Fair (1853–55), brought to the Metropolitan, for the first time, large numbers of people from beyond the elite circles that traditionally constituted its audiences. The large crowds that Wolfe's collection attracted encouraged other American museums to similarly reach out to members of America's emerging urban middle classes.

Wolfe's gift of $200,000 was the first permanent endowment fund for buying art ever given to a major American museum.[15] It helped launch the competitive cycle of giving that transformed museums in New York, Boston, Philadelphia, and Chicago, from the private pursuits of rich art lovers to professional institutions dedicated to educating large audiences and promoting modern art. Among the masterpieces of world art that the Metropolitan has since acquired using the Wolfe Fund are Pierre-Auguste Renoir's Madame Charpentier and her Children, Jacques-Louis David's Death of Socrates, and Winslow Homer's The Gulf Stream.

Wolfe died at age 59 in April 1887.[12] According to her obituary in The New York Times, "Society people have always understood that she had a romance, and her father's will implies as much. But whatever the fact, it has not been discussed for many years."[12]

A simple funeral service was held for her at Grace Church with Charles G. Landon, Cornelius Vanderbilt, Benjamin Hazard Field, Robert E. Livingston, the Rev. Dr. William Ferdinand Morgan, William Colford Schermerhorn, John Jacob Astor III, and J. M. Brown acting as pallbearers.[16] The attendees included Mr. and Mrs. Pierre Lorillard, Mr. and Mrs. Jacob Lorillard, Mr. and Mrs. Lewis Lorillard, Mr. and Mrs. Kernochan, Mrs. Barhey, Col. and Mrs. Kip, Mr. and Mrs. David Wolfe Bishop (her second cousin),[17] Mr. and Mrs. Bruce, Mr. and Bruce Brown, Catherine Wolfe Bruce, Mr. and Mrs. John Wolfe, the Misses Hoffman, Mr. and Mrs. Pierre Lorillard, Jr., Mr. and Mrs. Kent, Griswold Lorillard, Jacob Lorillard, ex-Judge Charles A. Peabody, and Albon P. Man.[16]

Her estate, which was worth between $8,000,000 and $10,000,000 consisted of land, stores, dwellings, factories, oil paintings, water colors, stocks, bonds, mortgages, money and other real and personal property.[2][18] The executors of her estate were David Wolfe Bishop and David Wolfe Bruce.[19][20] The principal beneficiaries, besides the Metropolitan Museum, were her extended family members.[19][21]


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